Ukoliko pronađete povoljniju ponudu za ovaj instrument, dobićete ga od nas jeftinije za 10% od razlike u ceni!
Opis proizvoda:
Od svog debija 2011. godine, revolucionarni KRONOS je stekao potpuno divljenje muzičara širom sveta, evoluirajući kroz ažuriranja modela i inovacije oblikovane na osnovu povratnih informacija mnogih profesionalnih muzičara koji koriste KRONOS na najvećim scenama i u studijima širom sveta. Cenjen kao definitivna klavijatura za profesionalce i zahtevne amatere, KRONOS je dosledno postavljao zlatni standard u performansama, snazi i svestranosti.
Sada, zbog velikog interesovanja, KRONOS se vraća – osvežen, unapređen i spreman da ponovo zauzme svoje mesto u centru pažnje. Sa intuitivnim kontrolama, pristupom više od 300 vrhunskih zvučnih biblioteka i paketom ekskluzivnih funkcija, najnoviji KRONOS je dizajniran da redefiniše mogućnosti na svakoj sceni i u svakom studiju.Pored hiljada uključenih zvučnih programa i kombinacija, novi KRONOS uvodi 256 dodatnih programa, pažljivo kreiranih da podignu vašu muzičku kreativnost. Centralni deo ovog ažuriranja čine 128 potpuno novih zvučnih programa, uključujući zadivljujući italijanski piano sa prelepim, transparentnim rezonancijama, i Tine EP I Early, ton električnog piana koji verno replicira zemljani, vintage zvuk metalnih mehanizama sa štapovima (tine). Ova dodatna proširenja, uz FM električne piane, svestrane sintetičke padove, bogate melodije i još mnogo toga, pružaju vam široku paletu zaista korisnih zvukova koji pokrivaju svaki žanr – od bezvremenih klasika do savremenih hitova.
Uz ovo, tu je i 128 stručno odabranih zvukova iz KRONOS Sound Libraries. Razvijeni u saradnji sa 12 svetskih dizajnera zvuka, ovi zvučni programi uključuju najbolje od njihovih kreacija, pažljivo odabrane kako bi vas inspirsale i proširile vašu zvučnu paletu. Ova selekcija takođe sadrži nove glasove za piano, osiguravajući da KRONOS ostane vaša ultimativna tastatura za sve prilike.KRONOS dolazi unapred učitan sa bogatstvom ikoničnih zvukova iz KRONOS Sound Libraries.
KRS-08 Best of TRITON: Sjajna i inspirativna kolekcija od 128 programa sa jednog od najprodavanijih sintisajzera svih vremena, koja je uključena kao unapred učitani poklon.
KRS-04 Pro Splits and Layers: Osnovni raspodela tastature i slojevi optimizovani za izvođenje u realnom vremenu.
KRS-05 Ensemble Combinations: Ansambli prijateljski za bendove, sa duvačima, žicama i sintisajnerima.
Dodatno, KRS-06 i KRS-06B CX-3 Signature Sounds – zajednička saradnja između KORG-a i posebno odabranih vrhunskih orguljaša – donose 256 CX-3 orguljaških programa na dohvat ruke, unapred učitanih i spremnih za upotrebu.
Ova kolekcija bezvremenih zvukova osigurava da svaki izvođač, od solista do ansambalista, ima pristup najboljem što KRONOS nudi.KRONOS kontrolni sistem je pažljivo unapređivan kroz generacije kako bi pružio performansni interfejs koji je jednako intuitivan koliko i moćan. Njegov raspored – sa osam dugmadi za real-time podešavanje, devet klizača i paketom kontrola za izvođenje – ostaje udobno poznat, omogućavajući muzičarima da se fokusiraju na svoj rad i izvode intuitivno.
U srcu interfejsa nalazi se veliki, responzivni TouchView ekran, koji je sada brži i osetljiviji nego ikad, nudeći brz pristup vitalnim informacijama i podešavanjima. Ovaj besprekorno dizajniran sistem osigurava da svako ko je upoznat sa prethodnim KRONOS modelima može lako da se uključi i počne sa radom.Iako su prepoznatljive karakteristike KRONOS-a ostale nepromenjene, dizajn četvrte generacije donosi suptilna, ali upečatljiva poboljšanja. Metalno telo prekriveno prahom nudi izuzetnu izdržljivost i premium taktilni osećaj, dok su rafinirane crne drvene bočne ploče dodale sofisticiranost. Ova poboljšanja osiguravaju da KRONOS ne samo da besprekorno funkcioniše, već i da privuče pažnju svakog auditorijuma.KRONOS podiže efikasnost performansi na novi nivo sa značajno unapređenim procesom pokretanja. Zahvaljujući redizajniranoj sistemskoj arhitekturi, vreme pokretanja je sada 60% brže u odnosu na prethodne modele, što drastično smanjuje vreme čekanja. U kombinaciji sa unapređenim TouchView interfejsom, KRONOS pruža neuporedivu responzivnost, osiguravajući da svaka interakcija bude trenutna i intuitivna.KRONOS je više od instrumenta—on je posvećenost. Od svog početka 2011. godine, svaki model KRONOS-a je dobio značajna unapređenja, dok je istovremeno očuvana kompatibilnost i kontinuitet kroz generacije. KORG-ova posvećenost dugoročnoj podršci osigurava da svi KRONOS sistemi mogu koristiti brojne i raznolike KRONOS Sound Libraries, čuvajući vašu investiciju i omogućavajući besprekornu nadogradnju kada se hardver osveži.
Za prethodne vlasnike KRONOS-a i NAUTILUS-a, KORG će u drugoj polovini 2025. godine objaviti Soundpack koji donosi najnovije KRONOS zvuke na ranije modele, osiguravajući da svaki muzičar može imati koristi od KORG-ovih kontinuiranih inovacija.
*Dva tipa unapred učitanih podataka biće dostupna za novi model, kako bi se podržali i KRONOS 1/X i KRONOS 2, u bilo kojem redosledu programa.**Austrijski Piano, Italijanski Piano, itd., koji nisu uključeni u rane modele, mogu se koristiti kupovinom Sound Libraries.
*1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced. *2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine. *3: 100 dual-stereo notes (equivalent to 400 mono voices)
EXs1 - ROM Expansion EXs2 - Concert Grand Piano EXs3 - Brass & Woodwinds EXs4 - Vintage Keyboards EXs5 - ROM Expansion 2 EXs6 - German D Piano EXs7 - Japanese C Piano EXs8 - Rock Ambience Drums EXs9 - Jazz Ambience Drums EXs17 – SGX-2 Berlin D Piano EXs18 – KORG EXs Collections EXs22 - SGX-2 Italian F Piano LE EXs23 - 2 Church Pianos EXs206 - A2D 10 Selections EXs207 - Bolder 10 Selections EXs208 - K-Sounds 10 Selections EXs209 - KApro 10 Selections EXs210 - KARO 10 Selections EXs211 - Kelfar 10 Selections EXs212 - Kid Nepro 10 Selections EXs213 - PCreek 10 Selections Vol.1 EXs214 - PCreek 10 Selections Vol.2 EXs215 - Q Up Arts 10 Selections EXs216 - Soundiron 10 Selections EXs217 - SOP 10 Selections EXs218 - Irish Acts 10 Selections
PCM RAM Capacity
Approx. 3GB *4 *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
Wave Sequences
598 User memory, 207 Preload Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
Premium Piano
Virtual Memory Technology (VMT) plays large samples directly from the internal SSD Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping. Damper resonance and mechanical noise are reproduced. Modeled String Resonance. Una Corda sample support
PCM
EXs6: SGX-1 German D Piano EXs7: SGX-1 Japanese C Piano EXs12: SGX-1 Austrian D Piano (Option Sound libraries) 8 velocity levels, no Una Corda samples EXs17: Berlin D Piano 12 velocity levels, includes Una Corda samples EXs21: SGX-2 Italian F Piano (Option Sound libraries) 12 velocity levels, includes Una Corda samples EXs22: SGX-2 Italian F Piano LE 12 velocity levels, no Una Corda samples
Piano Type
80 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.) (The 16 types of EXs21 SGX-2 Italian F Piano are the same piano types as the 16 types of EXs22 SGX-2 Italian F Piano LE and refer to the last installation of either EXs21 or EXs22.)
Tine Type Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5 Reed Type Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Effect Types
9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Structure
Single: only OSC1 Double: OSC1 and OSC2. Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc. Drums: One drum kit, Double Drums: Two drum kits.
Oscillators
Virtual Memory Technology (VMT) plays large samples directly from the internal SSD. 8 velocity zones per oscillator, with switching, crossfades and layering Each zone can play mono or stereo Multisamples or Wave Sequences
Filters
Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver
Per voice non-linear driver and low boost circuit
EQ
Three bands, with sweep-able mid
Modulation
Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
EXi Program Common
Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Modulation
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
EQ
Three bands, with sweep-able mid
AL-1 Program
Oscillators
Ultra-low-aliasing oscillators OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input
External audio can be processed through the ring modulator, filter, driver, amp, and EQ
Filters
Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
Driver
Per-voice non-linear driver and low boost circuit
Modulation
Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control
Controlled via nine front-panel sliders (via Tone Adjust)
Split
Upper, Lower (even in EX mode)
Modulation
Two AMS mixers
STR-1 Program
Physically Modeled String
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime.
String Excitation
Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter PCM Oscillator: KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory. Excitation Filter: Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
Audio Input and Feedback
Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
Filters
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes Multi Filter Mode (Filter A only). Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
Oscillators
6 VPM/Waveshaper/Ring Modulation Oscillators: Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals. PCM Oscillator: KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator. Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
Audio input
Run real-time audio through the VPM Oscillators and filters.
Filters
Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) Two types of filter looping (Parallel and 24 dB “4-Pole”) Multi Filter mode (Filter A only): - Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Patch Panel
Supports both preset algorithm (78 types) selection and free patching. Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Audio Input
Run real-time audio through the synthesis engine and ESP (External Signal Processor)
Filters
12dB/octave High Pass and Low Pass self-resonant filters ESP section: 24dB/octave Low Cut and High Cut filters, available per voice.Patch PanelPatchable audio and modulation, at audio rates
Patch Points
Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out VCO+VCF: Total External Modulation In VCA: External Initial Gain Control In, VCA In EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out MG: Triangle Out, Rectangle Out Noise Generator: Pink Noise Out, White Noise Out Sample and Hold: Clock Trigger In, Sample Signal In, S/H Out Modulation VCA: Control Voltage In, Signal In, Signal Out Manual Controller: Control Wheel Out, Momentary Switch ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out Others: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor)
Use incoming audio as a trigger and/or CV source.
Modulation
Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation
Polysix: Original ADSR EG and MG (with MIDI sync). KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Combination
Number of Timbres, Master Keyboard Functionality
16 Maximum Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Drumkit
System
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
Number of Programs/Combinations/Drum kits
User Memory Programs
2,560 (2,176 [1,152 HD-1+1,024 EXi] come preloaded)
128 set lists, 128 slots per set list Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted. Transpose setting. Hold Time setting of Smooth Sound Transition (SST) supported for each slot.
Sampling
System
Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency
RAM: 16-bit/48 kHz stereo/mono sampling DISK: 16 or 24-bit/48 kHz
Sampling Time
RAM: Depends on the amount of available PCM RAM DISK: Maximum 80 minutes stereo (879MB: 16bit)
Sample Locations
16,000 samples/4,000 multisamples (128 indexes per multisample)
Ripping
Direct sampling (ripping) from audio CD (CD-DA)
Formats
KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
Editing
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
Insert Effects
12 Stereo in / stereo out
Master Effects
2 Stereo in / stereo out
Total Effects
2 Stereo in / stereo out
Timbre EQ
One 3-band EQ for each timbre/track
Effect Types
197
Modulation
Dynamic Modulation and Common LFO
Effects Control Busses
Stereo side-chaining for compressors, gates, vocoders, etc.
Effect Presets
Total 783 preset, Maximum 32 per 1 effect (Preset User)
KARMA
KARMA Modules
One module in Program mode, four modules in Combination and Sequencer modes
Generated Effects (GE)
2,048 presets, 1,536 Users (96 come Preload)
Controllers
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scenes [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
Drum Track Patterns
718 preset (common with the preset patterns of the MIDI sequencer) 1,000 user patterns Patterns created in Sequencer mode can be converted to drum track user patterns. Trigger Mode/Sync/Zone settings can be specified.
Sequencer/HDR
Tracks
16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
Number of Songs
200 songs
Resolution
1/480
Tempo
40.00 – 300.00 (1/100 BPM resolution)
Maximum Memory
400,000 MIDI events or 300,000 audio events
MIDI Tracks
16 tracks plus the master track 718 preset/100 user patterns (per song) 18 preset/16 user template songs,
Audio Tracks
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
Other Functions
RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function
General
Disk Mode
Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
Controllers
Vector joystick, joystick, ribbon controller, switches 1 & 2 Control Surface: Control Assign Switches: Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, Tone Adjust/EQ Mixer Knobs Switch: Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider KARMA Control: On/Off, Latch, Module Control DRUM TRACK: On/Off
Display
TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness
Outputs== Analog ==
.
(MAIN) L/MONO, R:
1/4” TRS Balanced Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater) MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
Individual 1-4:
1/4” TRS Balanced Output Impedance: 350 Ω Stereo; 175 Ω Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
Headphones:
1/4” stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω), MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
== Digital ==
.
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R) Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
USB-B:
24-bit, Sample Rate: 48 kHz, 2 channels (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
Inputs== Analog ==
.
Audio Inputs 1 and 2:
1/4” TRS Balanced MIC/LINE input level switches, LEVEL knobs Input Impedance: 10 kΩ Nominal Level: LINE +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max) Nominal Level: MIC –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max) Maximum Level: LINE +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max) Maximum Level: MIC -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max) Source Impedance: 600 Ω Signal to noise ratio: 95 dB (typical) Dynamic range: 95 dB (typical) Crosstalk: 95 dB, at 1 kHz (typical)
USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage) USB B (TYPE B) x 1, MIDI/audio interface MIDI: 1 (16 channel) input / 1 (16 channel) output Audio: 2 channel input / 2 channel output *5 USB high-speed ports (supports 480Mbps)
Disk Drives
120 GB SSD (2.5”)
Power Consumption
40W
Dimensions(W x D x H)
61 key: 1,064 x 363 x 134 mm / 41.89” x 14.29” x 5.28” 73 key: 1,245 x 370 x 148 mm / 49.02” x 14.57” x 5.83” 88 key: 1,457 x 370 x 148 mm / 57.36” x 14.57” x 5.83”
Weight
61 key: 14.2 kg / 31.31 lbs. 73 key: 20.4 kg / 44.97 lbs. 88 key: 23.4 kg / 51.59 lbs.
Korpa 
