Fulltone

Housed in a beautiful powder-coated blue 16-gauge steel enclosure, the Fulltone Fulldrive 2 effects pedal is capable of clean boost or non-compressed overdrive via its first Overdrive Mode channel. Choose light to medium softer overdrives all while retaining your guitar's original tone. The pedal's Tone knob is a very effective Presence control... Detaljnije...

Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Ours has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the "Fuzz" on 10 you will rip, and you might get all... Detaljnije...

For many, many years you've basically had 2 choices for your Overdrive/Distortion pedals: You could either get "Soft-clipped" Bluesy, slightly compressed, (Toob Screemer, FD2, etc.) type Overdrive pedals... or you could get "Hard-Clipped" (OCD, Distortion+, Boss DS-1, etc.) type Distortion pedals. What if there was a pedal... Detaljnije...

The Supa-Trem pedal from Fulltone uses a photocell like an old American tube-amp, but without the annoying ticking sound that plagues other tremolo pedals. The Supa-Trem is extremely versatile—no gimmicks or silly paint jobs—"this thing lives up to it's name" (Guitar World). The tremolo pedal is true bypass with an LED... Detaljnije...

The CLYDE Standard Wah by Fulltone is modeled after the Vox Clyde McCoy, used by Jimi Hendrix and Eric Clapton. Jimi used the Clyde McCoy while recording Electric Ladyland! Clyde McCoy was a big-band Trumpet Player in the '60s. He wasn't the best but became famous for getting a muted wah wah sound. Vox tried to approximate this muted trumpet... Detaljnije...